Showing posts with label Cary Grant. Show all posts
Showing posts with label Cary Grant. Show all posts

Wednesday, September 9, 2015

James Cagney

James Cagney first got my attention with "The Roaring Twenties" in my pre teen years (on television).  This movie portrayed a transition from World War I where returning soldiers often found it difficult to get a job over to Prohibition that led to gangsters filling a need.  It was an education that opened my eyes a little bit to historical forces, but what I really remember is what a tough guy Cagney was despite all that was against him.  Humphrey Bogart and George Raft played other tough guys and Pricilla Lane the female lead.  Directed by Raoul Walsh.

I saw many of his tough guy movies.  Perhaps as relatively short I projected myself.  In many of his movies he always seemed ready to pick a fight, even if he didn't always win.

Born in 1899. James came from a poor background and commented that his father had indulged in alcoholic rants.  He worked at several jobs and stumbled into show business as just another job.

One of his brothers, Harry, was in a theatre production and fell ill just before a show.  James had not rehearsed, but had made himself very familiar with the role and was able to take over and make an impression.  He had picked up tap dancing and became known primarily as a dancer who could learn new steps easily.  He also did odd jobs for theatre productions and met his wife Frances Verner in this capacity.  Unlike other Hollywood celebrities he remained loyal to her until his death.

One of his breaks occurred when he replaced Archie Leach, better known as Cary Grant who had left a show to make a career move of his own.  James got involved in choreographing a Broadway show and through this got to meet more directors.  Paired in theatre with Joan Blondell they both got the attention of Al Jolson who bought the rights to the play they were in and then sold to another, but insisting the two be part of the deal.  They paired off in a couple of movies to their mutual benefit.

In many of his movies he does what might be called a rant.  I believe there is a theatrical tradition at play where on stage it is necessary to exaggerate words and actions.  In movies it often doesn't go over as well, but in Cagney's case it works.  In fact it is what draws attention to him, but he also projects realism fairly well in most of his acting.

In 1931 in "The Public Enemy" they wanted to show toughness and James pushed a grapefruit into the face of his girlfriend, played by Mae Clarke  Both Jean Harlow and Joan Blondell had roles. Gangster movies were very popular and this set James up as a key model.  Directed by William Wellman.

 Edward G Robinson was also gaining a reputation and they put the two together in "Smart Money," also in 1931 with Robinson playing lead.  It was too hokey for me

In 1993 "The Mayor of Hell" was released where he played a gangster trying to reform a reformatory for young boys, while still retaining ties to his old gang.  It all turns out ok in the end.   The famous line "you dirty rat" is used in a scene with a woman insulting another man.  Cagney has been tagged with this line and although he has expressed similar sentiments he never actually said this particular line.

In 1935 he sued Warner Brothers for breach of contract and formed Cagney Productions with his brother William who had acted as his agent.  William produced many of James' movies.  Also in that year Cagney appeared in a Shakespeare comedy "Midnight Summer's Dream."

In 1938 "Angels with Dirty Faces" was released also starring Pat O'Brien.  I had referred to this in an earlier post to illustrate how a small thing (O'Brien outran Cagney when both were fleeing police) can make a huge difference in life outcomes.  The ending is a bit ambiguous (also very sobering) and Cagney wanted it that way.  He received his first Oscar nomination.  Directed by Michael Curtiz.

In 1939 "Each Dawn I Die" was a rough, brutal prison movie, co-starring George Raft.   Difficult moral choices.

In 1940 "City for Conquest" he played a successful boxer who at the end was poor.  A range of emotions.  Ann Sheridan was the leading female.

"The Strawberry Blonde" of 1941 is  my favorite Cagney film possibly because I also liked Olivia de Havilland.  The comic timing of the whole cast was impressive.  Rita Hayworth was the strawberry blonde, but I was more pleased with Cagney's choice.

In 1942 he was elected president of the Screen Actors Guild, that he had helped found.  He seemed to feel actors needed to organize to get better working conditions.

In 1942 America was not yet in the war, but had a lot of sympathy for the British and their allies.  "Captains of the Clouds" was filmed in Canada near North Bay and Jarvis.  At the time the film was in defiance of the U.S. Neutrality act before the Americans were bombed at Pearl Harbor.   One of my heroes, Billy Bishop (an air ace from World War I) played himself.  Directed by Michael Curtiz

Also in 1942, an expressly American patriotic film, "Yankee Doodle Dandy" was released.   It was a few more years before I watched  it on tv and I was stunned that my favorite tough guy was a tap dancer.   This role earned Cagney his only Oscar as leading male actor.

"Johnny Come Lately" released in 1943 saw James play a mild mannered journalist, but there were a few fisticuffs a few times.  I understand his fans were a little disappointed and to me it seemed like a mediocre, but enjoyable movie.  Directed by Michael Curtiz

While the war was till going full blast in 1945 "Blood on the Sun" was released with a strong anti- Japanese bias.  Cagney learned judo for this role.

In "White Heat" from 1949 he played his first gangster movie where the killer was not the victim of a poor childhood.  Cagney was grimly realistic. Directed by Raoul Walsh.

In 1955 for " Love Me or Leave Me" Cagney received his final Oscar nomination with Doris Day.  Unfortunately I have  not seen this film.

"Man of a Thousand Faces" was released in 1957.  I was familiar with Lon Chaney Jr as the Wolfman and originally enjoyed this movie as a success story.  More recently was struck with the attitude towards working women.  Cagney played a man with a double standard that probably was normal for the time depicted.

'Shake Hands with the Devil" came out in 1959 and Cagney portrayed a very grim role in Ireland.  The film pointed out that violence begets violence.

In 1961  "One Two Three" released as a comedy set in West Berlin during cold war.  As a Coca Cola executive James was a fast talking manipulator.  Although a comedy this movie proved to be not much fun for James and he quit acting at this point.  Directed by Billy Wilder.

He decided to retire to a farm on Martha's Vinyard and later in New York State  He had turned down roles in My Fair Lady and The Godfather II  After several attempts to lure him to do other films he agreed to do a supporting role in "Ragtime" A doctor had told him it might be therapeutic after he had suffered a stroke.   Directed by Milos Forman.

His last film was for tv. "Terrible Joe Moran" in 1984 which I missed.

Because he was raised in an urban environment I was surprised to learn he was very interested in riding and raised Morgans.  We forget that when he was born horses were the dominant mode of transport and even in a city would could encounter horses.

In 1999 Cagney was ranked 8th of the 50 Americans Screen Legends by the American Film Institute. Died in 1986.  He remains in my head and gives me pleasure.  With 69 movie and tv credits there is lots more to see.

Thursday, February 14, 2013

KISSING: BOLLYWOOD VS. HOLLYWOOD

This past weekend I listened to Thom Ernst, a guest on Fresh Air to talk about memorable Hollywood kisses.  Together with another incident this past year it inspired me to do a little research into kissing in both Hollywood and Bollywood.


This is one cultural clash that has been clearly won by Hollywood, but I was a bit surprised to learn that Hollywood has had restrictions as well.

Cary Grant and Ingrid Bergman  in "Notorious" were directed by Alfred Hitchcock who wanted to challenge a 3 second rule.  Each kiss lasted only the allowable 3 seconds, but carried on for a full 3 minutes.  "Lady and the Tramp" aimed at more of a family audience got a surprise kiss when the two dogs slurped at a spaghetti from opposite ends.  "Planet of the Apes" had an inter species kiss from Charlton Heston to a costumed ape.  Thom recognized another breakthrough in "In and Out" between Kevin Kline and Tom Selleck. in 1997.  "From Here to Eternity" had Thom's top choice with Burt Lancaster and Deborah Kerr and I remember seeing the movie first as a student and had to read the book.  The novel was a lot more graphic and I realized the kissing was symbolic of a more sensual event, but had added suspense by their obliviousness on an open beach.

Researching brought my attention to other memorable kisses such as in "Gone with The Wind" (Clark Gable and Vivien Leigh) and "Casablanca" (Humphrey Bogart and Ingrid Bergman) and more recently "Spiderman" (Tobey Maguire, upside down with Kirsten Dunst).  A big breakthrough was with "Brokeback Mountain" (Jake Gyllenhaal and Heath Ledger).

Kissing has pretty well been settled in Hollywood and we wouldn't think much of a romance without some kissing and if they are trying to make a point they need a passionate kiss.  Going beyond that in Hollywood nowadays is fairly normal, but not part of this blog.

Bollywood had its first kiss back in 1933 and it was for four minutes in a movie called  "Karma"  Subsequently the moral authorities tightened up and on the lip kisses disappeared.  However film makers found ways to work around it.  Kissing on the lips was avoided, but kissing occurred on the back, neck, cheek and even navel.  Women were scantily clad and allowed very suggestive dancing, but some authorities felt "lip lock" was too intimate for public viewing.  Sometimes the imagination is triggered whereas in Hollywood and more so in Europe sex was more explicit.

The three popular Khans are at three different stages in this saga.  Aamir Khan has made it a point to kiss each of his leading ladies since the 1990's.  Shah Rukh Khan avoided lip kissing I am told out of respect for his wife.  His personal life would make an interesting movie as he married across religious lines.  He broke the kissing barrier with Katrina Kaif at the request of Yash Chopra in the director's last movie, "Jab Tak Hal Jaan" released in 2012.  Salman Khan (who used to live with Katrina) has never kissed on the lips on screen. These are all macho, romantic super stars with a touch of sensitivity.

Two Bollywood women have suffered some consequences.  Aishawarya Rai who had turned down American films that wanted her kissing.  She decided she needed to have a breakthrough and chose 2006 with Hrithik Roshan, who is noted as one of the best kissers.  She was threatened with legal action, but in the end has kissed in several movies for both Bollywood and Hollywood.

Shilpa Shetty greeted Richard Gere at an Aids fund raiser in India and he kissed her in public.  This led to media bashing.  She was detained at the Mumbai airport.

A recent movie released in 2013, "Table No 21" set in modern times had a scene where a couple in a reality game show were expected to kiss in public and there was a real hesitation.  The movie had a hidden agenda that was based on public humiliation and the kiss was just leading up to more hurtful pranks.

India is still known for families attending movies together including young kids and grandma.  How- ever it is becoming more common for young dating or married couples to attend movie theatres and they expect more realism.  Romance is still one of the biggest draws, although it competes against violence.

I think kissing is becoming more popular in Hollywood and Bollywood and it is good for everyone.  I hope you all get your share of Valentine goodies.