Religion or at least its followers often require believers to follow their law while some nations feel religion and government are separate. It seems that all the world's religious cultures subjugated women to the control of men.
Abbas Khan had tried to divorce his wife Shazia Bono and cut off child support using Sharia law and the courts seemed to have upheld it. However Shazia had found a lawyer who claimed the Indian constitution required him to support her. A lot of details were debated over several years and I confess it was very confusing. The bottom line was a successful struggle to assert constitutional rights that not only benefited Muslim women, but also all citizens.
As in many such battles there were a lot of heated arguments and emotions ran high. Arrogance prevailed on the male side.
One interesting scene for me was a burial that in subtitles used the term "coffin", but I believe should have been "shroud" that to me was a more natural burial.
This was an extremely well done movie and here are some of the contributors.
Suparn Varma was the director. He started out in journalism and spent 6 years as an entertainment journalist. He helped to set up a recording studio for chat. Suparn has 22 credits as a writer, 14 as a director and 4 as a producer including "The Family Man" (2019). See http://www.therealjohndavidson.com/2023/03/the-family-man.html
Reshu Nath was the writer. She has 10 credits for writing, 1 for additional crew and 3 for directing.
Vineet Jain was one of the producers. He had risen to Managing Director at Bennett and Coleman Company, the largest media group in India. He has 12 producing credits including "Raazi" (2018), "Doctor G" (2022), "Badhaai Do" (2022) and "Ulajh" (2024). See http://www.therealjohndavidson.com/2022/12/doctor-g.html
Sandeep Chowta was the musical score writer. He was born in Ghana, but raised in Nigeria. He became the head of Columbia Records for India. Sandeep has 66 composing credits, 18 for the music department and one for directing including "Satya"(1988), "Ashok the Great" (2001), "Om Shanti Om" (2008) and "Parmanu: The Story of Pokhran" (2018).
Vishal Mishra wrote several songs. He has 54 composing credits, 53 music department credits and 13 for acting including "Qarib Qarib Single" (2017), "Kabir Singh" (2019) and "Saiyaara" (2025). See http://www.therealjohndavidson.com/2019/09/arjun-reddy-and-kabir-singh.html
Pratham Mehta was the cinematographer. He has 35 cinematographer credits, 14 for camera and electrical department, 2 for producing and 2 for the color department including "Scoop" (2023) and "Srikanth" (2024). See http://www.therealjohndavidson.com/2024/07/two-films-about-overcoming-blindness.html
Ninad Khanolkar was the editor. He has 24 editor credits and 7 for the editorial department including "Agent Vinod" (2012), "Shubh Mangal Savdhan" (2017), "Shubh Mangal Zyada Saavdhan" (2020) and "Khel Khel Mein" (2024).
Yami Gautam played Shazia. She studied law and later did many commercials and appeared on fashion magazine covers. She has performed in Hindi,Kannada, Punjabi, Telegu, Malayalam and Tamil films. Her film credits include "Vicky Donor" (2012), "Badlapur" (2015), "Kaabil" (2017), "Uri: The Surgical Strike" (2019), "Bala" (2019). "A Thursday" (2022) and "Dasvi" (2022). http://www.therealjohndavidson.com/2022/02/the-message-is-spoiler.html
Emraan Hashmi played Abbas. At one time Emraan was credited as being a good "kisser". He has 61 acting credits and 3 assistant director credits including "Murder" (2004), "Gangster" (2006), "Once Upon a Time in Mumbaai" (2010), "The Dirty Picture" (2011), "Shanghai" (2012), "Hamari Adhuri Kahani" (2015), "The Body" (2019) and "Ae Watan Mere Watan" (2023). See http://www.therealjohndavidson.com/2015/09/danis-tanovic-with-bosnian-perspective.html
Sheeba Chaddha played Bela Jain, the defense lawyer. She acts in theatre plays. Sheeba has 101 acting credits including "Talaash" (2012), "Badhai Ho" (2018), "Gully Boy" (2019) and "Baadhai Do" (2022). See http://www.therealjohndavidson.com/2022/03/badhaai-do-lgbt-film-from-conservative.html
Women in most societies have been controlled by men and "HAQ" demonstrates how some women have gained more freedom. Available subtitled on Netflix.
As usual I have bolded the first mention of films I have seen. They are not necessarily a recommendation, but generally these are among my favorites. If you follow the links you should be able to determine if a particular film is worth following up.






.jpg)






























































