Graveyard third season is riveting and socially aware

Turkey is a Muslim country and as such is assumed to be restrictive for women.  In many ways they are more westernized and women can be said to be relatively free, but as with so called more progressive countries they are struggling and deal with discrimination.  

A special task force is given a room in the basement of a police building in Istanbul which some call a graveyard.  The focus of the team is to investigate murders of women.

In the first two series they deal with a variety of murders against women.   See   http://www.therealjohndavidson.com/2025/08/graveyard.html

Onem, after a break for personal reasons has returned and reassembled her crew.  A member of another group, Gokce learns of mysterious boxes given to women and feels they are a form of intimidation.  The boxes all have intimate knowledge and are numbered indicating they are the result of stalking.She is directed to the Special Task Force and eventually becomes involved in their investigation.  

In the meantime the Task Force gets involved with murders.  One is about a woman trying to hide her overweight body while doing cooking videos.  Her son was able to manipulate video tapes.  She becomes concerned about conveying a false message about body image.  

Before too long the boxes attract more attention.  Eventually the motivation becomes more evident as coming from some sort of incel group.   Incels are men who hate women, usually the result of rejection.  You know under layers of deception there is someone seeking revenge and making a statement about the role of women.  You have already seen grisly dead bodies, but the action and suspense go to a higher level as the team gets closer to cornering the culprit. 

Most of the film takes place in the modern city of Istanbul, but some of the investigation takes place in the town of Ephesus with buildings from Greek and Roman history.

The story is gripping and will draw you in.  Here are a few of cast and crew to credit.

Omer Baykel was the director.  He has 6 directing credits.

Abdullah Oguz was the previous director and producer.  He has 54 producing credits and 5 for writing including "Bliss" (2007).  See http://www.therealjohndavidson.com/2011/05/turkish-delight-in-book-and-movie-form.html

Ozden Ucar was a key writer.  He has 5 writing credits and 1 for additional crew (river co-ordinating).

 

Cem Oget was the composer.  He has 47 composing credits, 22 for the music department and 1 for soundtrack. 

Ferhat Uzundag was the cinematographer.  He has 32 cinematography credits, 3 for the camera & electrical department and 2 for acting.

Sercan Guducu was the editor.  Sercan has 9 editor credits and 4 for the editorial department.

Bice Akalay played Onem, the head of the Special Task Force.  She was a finalist for the Miss Turkey contest.  She has modelled and became a sports anchor on tv.  She has 22 acting credits and 1 for soundtrack.

Olgun Toker played Serder Ata, a tough, sometimes brutal partner for Onem.  He has 71 acting credits.

Baron Guler played Berk, a forensic expert who tended to get sidetracked with tedious explanations.  He has 4 acting credits and 1 for acting.

Elif Cevinc played Sude, teenage daughter of Onem.  She has 10 acting crtedits.

Yesim Celebri played Gokce, the newest member of the Task Force.  She has 6 acting credits. 

Onur Durmaz played Bora, the bad guy.  He attended to the Vienna Conservatory where he studied music and acting while learning German, English and Italian.  He has done tv. commercials and has 13 acting credits. 

"Graveyard" is available subtitled and dubbed on Netflix.  I hope they come up with another riveting series.

As usual I bold the first mention of films I have seen.