A Taxi Driver is a gem

We learn that in 1980 a military dictatorship violently tried to put down student protests in South Korea.  The poster for "A Taxi Driver" (2017) seems to indicate a comedy, but it is not.

A dictator had gained control of South Korea and at this time his main obstacle seemed to be student protests who were of course described as radical and Communist.  The media was tightly controlled and the outside world was given a false narrative.  A German journalist in Japan, Jurgen Hinzpeter, heard about the suppressed riots and decided to fly to Korea to get the story.  He realized there was no easy way to get to Gwangiu, site of the riots, so thought if he used  large money he could hire a taxi driver.  Kim Sa-bok, heavily in debt was quick to see an opportunity and skipped the line to get the job.  He didn't realize the danger, but soon learned and tried to back out.  Eventually he felt a grave injustice was being inflicted on Korea and rescued the reporter and his film.  The script is based on a true story about a reporter and a taxi driver keeping their real names for the story.

There is a lot of violence and action (especially with cars).  Killing is almost without thought, as a dictator is determined the true story doesn't reach the outside world.  Human relations are important as there is resistance from local taxi drivers being influenced by a student.  Kim Sa-Bok was a widower with an 11 year old daughter left on her own who was helped logically, but also surprisingly. 

My reason for seeking out this movie was the actor I consider a star and an indicator of a good film.  Song Kang-Ho is not glamorous, but I have stumbled on a number of his films and am amazed how a character actor can be a leading actor.  "A Taxi Driver" is a good example.  See below for more information on him.

A lot of effort was put into this award winning film and here are a few of the contributors.  

Hun Jang was the director.  He got his start working working with production departments.  He went on to have 5 directing credits, 1 for writing and 1 as an assistant director. 

Yu Na Eom was the writer.  Another film she worked on was to do with the Korean dictionary that helped maintain the Korean language.  She has 2 writing credits and 1 for directing.

Cho Young-wuk was the music composer.  He got his start as he once wrote about film music for a radio show.  He was asked to recommend someone to pick music for a movie and he took the job.  This award winning composer has 74 composing credits, 9 for the music department and 2 for producing including "Oldboy" (2003),  "Thirst" (2009), "Glove" (2011), "The Attorney" (2011), "Joint Security Area" (2010), "The Beauty Inside" (2011), "The Tiger" (2015), "The Handmaiden" (2016), "The Man Standing Next" (2022) and "Decision to Leave" (2022).   See   http://www.therealjohndavidson.com/2023/02/decision-to-leave.html  and  http://www.therealjohndavidson.com/2023/07/broker-japanese-korean-collaboration.html

Nak seon Go was the cinematographer.  He has 15 cinematography credits and 1 for the camera & electrical department including "The Man Standing Next" (2020).

Kim Sang-beom was the editor.  He has 141 editing credits and 2 for producing including "Oldboy" (20023), "Sympathy for Lady Vengeance" (2005), "Thirst" (2009), "Hope" (2013), "The Attorney" (2013), "The Handmaiden" (2016), "Asura" (2025) and "Decision to Leave" (2022).   See  http://www.therealjohndavidson.com/2016/11/hope-gut-wrenching-film-from-korea.html

Song Kang-Ho played Kim Sa Bok, the taxi driver.  He is also one actor with his own post http://www.therealjohndavidson.com/2020/12/song-kang-ho.html which gives a fuller picture of his stature.  He is a heavily awarded actor and is revered by many directors.  He started in theatre at one time offering to work cleaning services to maintain working for the theatre.  In 2020 the New York Times compiled a list of the top international actors and he was listed as number 6.  With a slight hiatus he has been active in commercials and was noted for increasing sales of a liquor in Japan. Some of his film credits include "Joint Security Area" (2000), "The Host" (2006), "Thirst" (2009), "The Attorney" (2013), "The Age of Shadows" (2016)  "Snowpiercer" (2013) "Parasite" (2019) and "Broker" (2022).  Americans can see him in 3 episodes of "Beef" (2026), a popular American tv. series.   See http://www.therealjohndavidson.com/2020/09/parasite-breaks-oscar-tradition.html

Thomas Kretschmann played Jurgen Hinzpeter, the reporter.  He has 144 acting credits (including German and American films) and 8 for voice dubbing including "Stalingrad" (1993), "The Pianist" (2002), "Downfall" (2004), "Whiskey, Tango, Foxtrot" (2016) and "Gran Turismo" (2023).

Ryu Jun-Cheol played Gu Jae-sik, a student protester.  He has 25 acting credits.  At the moment I am just past half way watching him in the highest rated Korean series "Reply 1988" (2015-16) for which he is in all 20 episodes.

Lee Jeung-eun played a hostess for the taxi driver and reporter.  She started in theatre and now has 63 film acting credits including "Mother" (2009), "Okja" (2017), "Parasite" (2019), "Our Blues" (2022-23) and "Daily Dose of Sunshine" (2023).  See  http://www.therealjohndavidson.com/2023/11/daily-dose-of-sunshine.html

I was interested to see this film, but it did not seem to be available on any of the usual streaming services, but my library membership allowed me to watch it for free with subtitles.  Kanopy is available through libraries throughout Canada and the United States.

As usual I have bolded the first mention of films I have seen.  Some of them are among my favourite Korean films and a big part of my Korean obsession.  If you follow the links you should be able to determine if any film is worth following up.