Showing posts with label Joaquin Furriel. Show all posts
Showing posts with label Joaquin Furriel. Show all posts

Saturday, May 21, 2022

The Boss, Anatomy of a Crime

This film got my attention by accident.  Bored with offered selections, went through a long list of Netflix suggestions before I found "The Boss, Anatomy of a Crime" ( El Patron, radiografis de un crimen 2014).  It had a good rating, but the descriptions made it seem "different" and unique.  It was about a killing which is common enough, but there was none of the usual mystery.  The story was about an exploited man who responded to abuse.  My film selections are intended to give more attention to those that might be overlooked in the over hyped entertainment marketing.  With subtitles in English and set in Buenos Aires, Argentina.

 We are first introduced to a lawyer after a murder case trying to find some mitigating circumstances for a client who not only admits his guilt, but that he was enraged at the time.  The story then flashes back to how Hermogenes gets hired by Latuada, the owner of 8 butcher shops who treats an existing butcher with physical brutality.  Hermogenes seem a little stunned, but accepting and assuring he can do a good job.  The owner suggests Hermogenes move to the back room of the shop to be closer to the job.  

We flip between before a killing and to the court case.  There are several flips, but with little effort they make it easier to understand the story. 

Wife of lawyer, Clara seemingly annoyed by her husband's interest in what seems like a hopeless case eventually gets involved and she becomes very supportive of Hermognese and his wife.

Hermonogenes feels guilty and fatalistic.  When asked about his boss, he says he was not nice, but "God didn't make him nice."

Near the end we see the actual killing and it is brutal.  It seems like very little provocation, but we would be anticipating some very strong and personal criticism after a customer had returned some bad meat.  Afterwards we gain the lawyer perspective that said there had been a long buildup (much of which we did see).  Because of the job, Hermonogenes happened to have a knife in his hands when reached a boiling point.

The police and the prosecutors laughed at what an open and shut case this was because of the very candid confession.  They termed it aggravated murder and called for a life sentence.  The lawyer made a stirring speech to the effect of the pressures put on Hermonogenese including some criticism of the government and the final sentence was for homicide under the heat of passion.

Based on true events. 

It is set in a butcher shop and some of it may be upsetting as not only do they show cutting meat, they also show how they spray stuff to hide rotted meat and how to cover it up with color agents.  Ironically Argentina is known world wide for their quality beef.

Sebastian Schindel was director, editor and co-writer.  He read the book and was shaken by the description of exploitation and slavery.  He met with viewers who told him similar stories of exploitation.  When asked to help with groups to work against what was called "cultural slavery" he agreed.  Sebastian started his film career in 2000 and has been a writer, a director, editor and producer.

Nicolas Batlle writer and producer has been involved with "The German" (2013).  He has not only written and produced scripts, but also been a director.

Javier Olivera, co-writer got started as a painter and later attended film studies at UCLA.  He had directed a series of films for UNICEF.  He teaches screenwriting and directing at Uruguay Film Campus.

Guillermo Pfening played the concerned defense lawyer,   Guillermo had played in "The German" (2013)

Andrea Garrote, Nora,  was in Oscar nominated "Wild Tales" (Relatos Salvajes 2014) in same segment as Ricardo Darin, one of my favorite actors  http://www.therealjohndavidson.com/2015/04/ricardo-darin-brings-charm-from.html

Joaquin Furiel played Hermonogene sas a mild mannered exploited butcher.  He was the lead in most popular film blog ever "The Lighhouse of the Whales" (El Faro de las Orcas 2016).  He started acting lessons at age 12.  Received best actor awards for this one.  Check http://www.therealjohndavidson.com/2021/03/the-lighthouse-of-orcas.html

German de Silva played a friendly butcher who gave useful advice (including how to cover up bad meat).  Appeared in won a best supporting actor ward "Wild Tales" (2014) and "The Two Popes" (2019)

Luis Ziembrowski, played the boss (deliberately not labeled employer).  It required a gruff, hard nosed and crooked acting.  In another role, "Lili's Apron" (2004) he had played a Mrs. Doubtfire sort of role.

Victoria Raposo played Clara, the wife to lawyer and key to lifting accused out of a suicidal guilt feeling swinging from an annoying wife upset at her husband' obsession.  Acting since 2010, she once was a casting director for a tv. series.

Monica Lairana, wife to butcher  Gladys--an early extra role for her was with "Evita" (1996),  Won a best supporting actress award for her role in this film.

Inspired by this film I watched on Netflix another gem from Sebastian Schindel, "Crimes that Bind" (2020) which I recommend.  

The movies that have been bolded are ones that I have watched.

Monday, March 29, 2021

The Lighthouse of the Orcas

During the Pandemic, movies have provided me with enjoyment and solace.  Streaming services and the library offer a lot of treasures and one can be selective.  My tastes are likely not exactly the same as yours, but there are as likely also commonalities.  "Lighthouse of the Orcas," available on Netflix is very moving.  Based on a true story means it has some relevance.  With a real natural theme it will resonate with most humans.

The movie offers a closer more intimate view of killer whales.  The protagonist based on the life of Roberto "Beto" Bubus who physically contacted and played with the whales.  The killing part is brief and perhaps brutal, but also natural when the whales come on shore and kill a sea lion.  Beto loves the seals and sea lions and rides a horse.

The movie starts with a mother bringing her 11 year old autistic son from Spain to the Patagonia region of Argentina based on a nature video that stirred her son.  The lighthouse keeper who is under pressure not to have physical contact with the whales is not very co-operative with the mother's desire to help her son and quickly dismisses her.  He decides to look up autism and changes his mind.  Nonetheless his boss is adamant that he would not allow any physical contact between the boy and any whale.  Firing is threatened.

He sets out to win the boy over and it is very small steps that move in the right direction.  There are feelings developing between the mother and Beto, but she resists because she fears being abandoned as her husband had done.  While progress is being made with the boy and the relationships, the father back in Spain is making legal demands that cannot be denied.

Autism is portrayed realistically.  The boy mostly has a vacant stare, except is disturbed by noise and other children.  When he is happy he wiggles his fingers.  The whales get his attention and he responds by following how Beto gets the whale's attention by pounding on the water.  He later shows interest in grooming a horse.  In reality Beto did go on to work with other autistic children showing that nature therapy often helps autistic children. 

Gerardo Olivares, the writer and director born in Spain had done a lot of traveling doing documentaries involving wildlife and later began working with fictional features.  He has also been a cinematographer and editor.

Pascal Gaigne, wrote the music.  He was born in France, but now lives and works in Spain.  The award winning composer has worked with directors from Spain, France, Cuba and Finland.

Oscar Duran handled the cinematography.  One of the outstanding features of this movie is the whales which are mesmerizing.  Filmed mostly in a remote part of Argentina.

The actual subject of the film, Roberto "Beto" Bubas wrote the book of his experiences that is the basis on the film and took part with a stunt role. 

Maribel Verdu, plays the mother coming from Spain in hopes that her autistic son might benefit from meeting a man known to work with whales.   She was born in Spain and has acted in Spain, Mexico and Argentina.  She did television commercials before getting into films at the age of 13.  The award winner has appeared in such films as "Belle Epoch" (1992), "Y Tu Mama Tambien" (2001) "Pan's Labyrinthe" (2006), and "Biancanieves" (2012).  After two years without a role she had given up on acting until Guillermo del Toro approached her for "Pan's Labyrinthe."

Joaquin Furriel played what might be called a whale whisperer who lives by himself.  Born in Argentina he started acting in television series in 1998 and did his first feature in 2011, but still spends most of his efforts on television.  

Joaquin Rapalini plays the 11 year old  autistic child so well that some assumed he was hired because he was autistic.  From Argentina he performed in a few films before this one and has done a few since. 

A trip to Nova Scotia and a few hours on a whale watching cruise are very fond memories.   It is wondrous watching such creatures in their natural environment.

The idea of animals helping treat autism and other conditions was explored in two earlier blogs regarding equine therapy.  Check out:  http://www.therealjohndavidson.com/2016/05/the-power-of-horses-to-heal-riding-home.html and http://www.therealjohndavidson.com/2014/11/horses-in-modern-world-psychotherapy.html