Showing posts with label Ang Lee. Show all posts
Showing posts with label Ang Lee. Show all posts

Wednesday, August 23, 2023

Taiwan Cinema

 Taiwan is a hot spot.  China covets it and threatens harm to all of us who give it any support.  I believe Taiwan's cinematic history deserves support.  This post is not comprehensive, just reflecting some films seen over the past few years.  The film series that prompted me to do this blog was "Wave Makers" (2023).  A negative factor was that the movie "Gravity" distorted reality to avoid offending China and to gain admission to the Chinese market.

The Wave Makers is a political series, without any reference to the obvious hot issue of China relations.  They may have decided that to get on a streaming service they should avoid offending China.  The series does cover other issues such as the environment, immigration, and sexual harassment at work.  Sexual harassment had become an unspoken issue in Taiwan.

 Ying-Hsuan Hsieh played a politician who had recently lost an election, but was highly regarded as an advisor.  How can a loser help, but she does, partly learning from mistakes.  She was also in Dear Ex playing a widow whose dead husband left his money to a gay lover.

Jaag Huang played another political advisor.   She appeared in "Life of Pi" (2012)

Gingle Wang played the girl who had  been harassed.  She also appeared in "The Falls" (2021)  and  "Light  the Night" (2021).

Leon Dai played the sexual harasser.  He also appeared in "Yi Yi" (2000) and "The Assassin" (2015).  "Yi Yi" achieved international attention.

"A Sun" (2019) is a tough story to watch as a family deals with bad breaks.  The Writer Director Mong-Hong Chung had been a cinematographer including for this film. 

"Dear Ex" (2019) is about a widow and her son who learn their ex husband/father when he died left his (limited) fortune to his male lover.  The film is about a reconciliation.   Ying-Hsuan Hsieh played the widow.

"A Thousand Good Nights" (2019)  A series about an abandoned girl picked up by a station master.  There is a mystery there, but the focus of the story is a tour of Taiwan.  Bor-jen Chen played the adoptive father, also in "Light the Night"  (2021).

"Warriors of the Rainbow:  Seedique Bale" (2011) combined two parts to qualify for Oscars.  It was about indigenous fight off the Japanese.  The indigenous were headhunters believing they had to have an enemy's head to cross the rainbow bridge to the spirit world.  The Japanese controlled most of Taiwan between 1895 and the end of WWII 1945. 

"American Girl"  (2022) about a girl living in America returns to Taiwan during the Sars epidemic.

Man in Love (2021)  Roy Chiu plays an uneducated gangster courting a woman with the hope to leaving his criminal life.

"The Post Truth World" (2023) is a mystery thriller involving a hostage situation.

Light the Night (2021)  Mainline Chinese write negative reviews and lower rating according to Welsh/Mandarin actor Rydian Vaughan.  The series consists of 24 episodes of approximately 45 minutes each, starts off with the discovery of a dead body.  The rest of the series is flashbacks gradually revealing relationships and motivations and the attempt to unravel the mystery.  Lots of complications.   It is well done.  A very lot of smoking from many characters.  

"Eye of the Storm" (2023) Just became available as I was finishing this blog.  Set at a Taipei hospital with the onset of the SARS epidemic.  Everyone is stuck inside the office with lots of sub plots.  At the end the hospital survives, but not every character.




Ang Lee is perhaps the most famous Taiwan film maker.    http://www.therealjohndavidson.com/2014/08/chinese-cinema-is-peek-into-their_1.html  Like other Taiwanese film makers he wrote, directed and produced.  Raised and educated in Taiwan he went to America to study film making studying with Spike Lee.  After graduating he spent a few years as a house husband and then struggled.  His wife encouraged him.  Won Oscars as director for "Life of Pi" (2012) and "Brokeback Mountain" (2005).   His Mandarin films include "The Wedding Banquet" (1993), "Eat Drink Man Woman" (1994), "Lust, Caution" (2007) and "Crouching Tiger, Hidden Dragon" (2010).  English language films include "Sense and Sensibility" (1995), "The Ice Storm" (1997), "Ride with the Devil" (1999) and "Billy Lynn's Half Time Walk" (2016).
 
Despite the political factor (or maybe because of it) Taiwan has much to offer the world including their film makers.  We need to understand their dilemma that affects us.

A book about Taiwan was an earlier blog selection:  http://www.therealjohndavidson.com/2021/11/two-trees-make-forest-canada-reads.html

I have seen each of the movies mentioned.

Friday, August 1, 2014

Chinese Cinema is a peek into their culture

Many people seem to feel that China is taking over the world.  At one time they were indeed the most sophisticated culture in the world.  With their diaspora, the Chinese have spread much of their culture to most corners of the world and in one way or another seem likely to have a dominant economy and culture.  Chinese food, fireworks, martial arts, cheap goods and movies.  Although we think of the Chinese as monolithic there are many elements such as language that differentiate them.


When one talks of Chinese movies we should include Hong Kong (which although legally part of China has a distinct history) and Taiwan.  Cantonese and Mandarin are the two main languages you will encounter, but there are other languages and dialects.  Chinese directors, actors and others have performed in the rest of the world. 

One wonders if it is all just propaganda any more so than what we subject ourselves in front of screens already.  Any country wants to represent itself in a positive manner.  In watching a wide range of movies I was struck by two things.  The Chinese deal with the same issues and concerns of the rest of us such as love, war, cheating, grief, etc.  Secondly there are many elements of self examination to be found in their movies.  We can enjoy their movies for entertainment, but also learn something of their perspective.

Ang Lee seems a good place to start.   His family came to Taiwan fleeing the Maoists that killed off most of his father's family.  After graduating from local school came to America to study film making.  He was an assistant director for Spike Lee's master thesis.  For six years he was a stay at home parent supported by his wife.  Much of his fame rides on Hollywood films, but he did a number of Mandarin films.  "The Wedding Banquet"  in 1993 portrayed a Taiwanese homosexual man marrying to satisfy his traditional parents.   "Eat Drink, Man, Woman" of 1994 with one of the best food preparation sequences at the beginning is set in Taipei.  A DVD special feature gave a lot of personal history.  His fame was established with "Crouching Tiger, Hidden Dragon" starring Yun-fat Chow and Michelle Yeoh as a Mandarin martial arts film which became the highest grossing foreign film released in United States.  Another Mandarin language film was "Lust! Caution" (with Tony Chiu Wai Leung) which was sexually very explicit as Ang felt it was necessary for a desired dramatic effect.  World War II intrigue in China.

He has made a name for himself in Hollywood with such movies as "Sense and Sensibility", "Brokeback Mountain" and "Life of Pi".  He helped persuade Ann Hathaway to except a role as Jane Austen in another film.   Although probably best known as a director he has also written scripts and produced films.


Another well recognized Chinese film personality is Jackie Chan.  Born in Hong Kong, Jackie speaks Cantonese, Mandarin, English and English sign language.  He developed a reputation for martial arts, choreographing and doing his own stunts.  He has a very deft sense of humour that endears him to people like me who are not fond of martial arts.   He did his first American film in 1980, but his first blockbuster American success was "Rush Hour" in 1998.  He has done numerous martial art films in the Hong Kong Cantonese market. Read more:  http://www.therealjohndavidson.com/2020/09/jackie-chan.html

Another director who caught my attention was Wai-Keung Lau who in 2002 did "Infernal Affairs" a very interesting movie starring Tony Chiu Wai Leung and Andy Lau and was later adapted by Hollywood as "Departed" which won an Oscar.   "Beautiful Life" in  2011 was a beautiful love story.

John Woo, has had an impact in China and Hollywood.  After directing a few films he developed a niche in violent action films.  "The Killer'"with Yun-Fat Chow attracted Americans where he now makes most of his films.   John has been affected by the Tianemen Square massacre and was able to make a few references to it in his films.  One brutal film produced by John that I thought was excellent was "Warriors of the Rainbow: Seediq Bale" set in Taiwan concerning how the indigenous natives dealt with Japanese rulers before World War II.  In the U.S he directed "Face/Off", and "Windtalkers."  Recently he has been involved with "The Crossing" which tells a story of the exodus from China to Taiwan. which is something to look forward to.

Yun-Fat Chow is a Chinese actor with influence in China and Hollywood.  Known for action films such as "The Replacement Killers" he nonetheless starred in "Anna and the King" with Jodie Foster and "The Children of Huang Shi" and "Shanghai" with John Cusack and Li Gong,   "Confucius" made in 2011 seemed a good fit.  China has almost always had great respect for Confucius, but there was a time when the Communist regime tried to bury him.  Mai Hu, a woman director also wrote the script for this blockbuster movie.

"House of Flying Daggers" released in 2006 with Ziyi Zhang, Andy Lau and Takeshi  Kaneshiro and "Curse of the Golden Flower" directed by Yimou Zhang with Yun-Fat Chow  and Li Gong doing martial arts in a gravity defying artistic manner. Li Gong has also appeared in "Shanghai" and "Memoirs of a Geisha".

"Chungking Express" released in 1994 directed by Kar Wai Wong and starring Tony Chiu Wai Leung  and Takeshi Kaneshiro .  The cinematography was very unique.  You will recognize a popular American song, "California Dreaming" played repeatedly.

"Sophies Revenge" released in 2009 disappointed me a little, but ok.  Like everyone else the Chinese (at least some of them which means hundreds of millions) like romance and a few laughs.  Li Gong played lead character.  I am aware there are many more and reportedly better examples.

"Iron Road", televised in 2008 brought home the awareness that one of our most proud achievements (the national railroad) was accomplished on the backs of Chinese workers who were treated poorly.  Brought over Sun Li for the lead role and Tony Leung Ka Fai for a supporting role.


"Balzac and the Little Chinese seamstress"  released in 2002 deals with re-education in Maoist times.  Amongst those being re-educated, Western literature in translation is a strong lure for some people.

Dubbed films were tempting me as Chinese dialects unlike some European dialects have almost no resonance with me.  The cadence of each is distinctively different.  Subtitles, sometimes are confusing, but still give understanding and seem more natural.

China has been hit with criticisms for such as censorship, political repression, currency manipulations, worker exploitation.  Any culture is subject to criticism and it seems developing into a world power requires some dirty tricks.  I hope that as China matures we can all benefit from the many good things that have come from them.

In the end whether we like it or not the Chinese are likely to have even more impact on our lives.  Reading books and watching movies are two ways to boost your understanding.  For me there are a few more Chinese films on my reserve list I look forward to, but at some point this blog needs to be finished (and read).

A Chinese movie made it to my favorite movies for 2018  http://www.therealjohndavidson.com/2018/08/in-love-we-trust-is-movie-title-with.html 

An update of Taiwanese cinema:  http://www.therealjohndavidson.com/2023/08/taiwan.html

Tuesday, May 13, 2014

Anupam Kher an actor I have learned to respect.

Anupam Kher epitomizes for me the worst and the best of Bollywood.   I am of two minds on Anupam.  In some films I have been embarrassed thinking his acting reminded me too much of Jerry Lewis at his worst.  I had seen enough of Bollywood to find lots of things to like, but could also see why my North American acquaintances tend to cringe when they think of it.  As an excuse, I can appreciate that to get ahead in a career you do whatever is required--Steve Martin was pretty wild when he hit my attention, but has proved to be pretty good at serious drama, enjoyable comedy and has done some serious writing.  Bollywood has always tried to cater to families (from Grandmother to the kids) and comic relief is important.

On the other hand Anupam has demonstrated his versatility.  We movie goers tend to judge the actors by what we see on the screen.  He has managed to take part in a lot of critically acclaimed films as well as some very popular ones.  Obviously he fits in well with film crews and has proven to be very flexible.  He has worked with a lot of well known directors, producers and other actors in at least five countries.  He is popular as a father figure, but that description covers in his case a wide range of styles.

Over 350 films.  Not usually a leading character, but he still must have juggled a lot to fit it all in  He is busier than ever and seems to like it.  He has also acted as an ambassador for Bollywood and been involved with acting schools.

Anupam started making films in 1982.  His first English speaking movie in 1984 was "Kim" starring Peter O'Toole, but Anupam was uncredited.

He has appeared in some of my very favorite movies such as "Kuch Kuch Hota Hai" as Rani Mukerji's father (and Shah Rukh Khan's father in law), but in this one I feel he overdid the comic relief.   On the other hand he played a deft hand in comedy and drama as Shah Rukh Khan's father in the trend setting classic,  "Diwali Dulhania le Jayenge" where he won an award for comedy.  

In "Darr," a scary movie he played comic relief excessively--but perhaps this movie really required comic relief.  In any case he won best supporting actor in a comic role from Filmfare.

Playing the father role in a very professional manner is more normal.  In "Wake up Sid" as father to Ranbir Kapoor he played a tough, but loving father in an excellent coming of age movie.  In "Vivah" he played a father encouraging his son, Shahid Kapoor to get married and was supportive of the prospective bride's family (in some ways from a relatively lower class). In "Dil Bole Hadippa" he was a cricket loving father again to Shahid.  In "Badma$h Company" again played father to Shahid , but as a tough ethical business man disappointed in his son.  In "Pyar Impossible" wearing a wig he played an empathetic father to producer director Uday Chopra in a movie not highly rated, but enjoyable to watch.

In "A Wednesday" he played the Mumbai city police commissioner threatened by bombs from Nasseruddin Shah. A lot of tension in this movie which won a number of awards.

In "Breakaway" Anupam came to Toronto and played the father to Vinay Virmani who wrote the script.  Hockey was the key ingredient linking Sikhs and Canada's national game.  Russell Peters gave it some more Canadian flavour.  Anupam had played a cricket playing father in "Bend it Like Beckham."

In "Silver Lining Playbook" he played a psychiatrist and with the rest of the cast had been nominated for awards as part of an ensemble cast.  

"Bride and Prejudice" saw him as father to Aishwarya Rai Bachchan "in a remake of Pride and Prejudice".  He appeared in an ER episode with his wife Kiron,

In "Veer-Zaara," he played a tough ruthless Pakistani lawyer,  In "Paheli," another favorite movie he was a greedy merchant.  "Rang De Basanti" was another classic movie starring Aamir Khan.

"Lust-Caution!" by Ang Lee (one of the hard to forget movies) set in China with mostly Chinese dialect during World War II.  He played a shady character

"Special 26" can compare itself to "Oceans Eleven" favorably.  Akshay Kumar led the cast, but Anupam played a very clever con man with a large brood of children.  He was excellent.

"Jab Tak Hai Jaan" was the last film for director  Yash Chopra's and was noted for Shah Rukh Khan's first screen kiss.  Anupam played the father of Katrina Kaif.

"Maine Gandhi ko Nahin Mara" pictured at the top with Urmila Matondkar was the movie that inspired this blog post.  Anupam was a producer and really gave a top notch performance in the difficult role of a man with Alzheimer's.  He paid his dues and will be remembered for this role and dozens of others.  He added value to a number of worthy movies.  When I now see his name I know there must be something good to look forward to.

Mar 1/11 Enjoyed  watching him in "New Amsterdam" disappointed to see him leave, but understand.  Look forward to future endeavours.